Lucas Ihlein April 2011 for Artists Profile Magazine, Sydney
His performance installations in the 70's including 'A change of plan' [‘Recent Australian Art’ AGNSW], 'Minefield' [Mildura Sculpture Triennial], ' For The Sake Of Art' [ Ewing Gallery], 'Not Ceasing to Loiter'
[Adelaide Magistrates court] and the book 'A Pedestrian Series of Postcards [NYC/ Mildura ] became historically seminal works in Australian art.
He was a pioneer in the super-8 No Wave in New York, producing 2 features, Why Cars, Carnage (l977) and Political Transmission (l978. 2 AWARDS The Warhol/ Rauschenberg foundation award 1976 NYC USA A Pedestrian Series of Postcards [NYC] Printed Matter 1977, the American Institute of Graphic Arts, Artists Book Award 1977 USA Why- CARS?- CARnage the New York State Council C. A. P. Film Award.
1978 NYC USA Selected for the International Situationist Show at the Beaubourg Museum Pompidou Centre in Paris and the ICA in London and Boston curated by Peter Wollen Against the Grain (l980), director, co-produced with the Australian Film Commission and the Sydney Biennale, was shown in major International Film Festivals in Edinburgh, Berlin, Montreal, Viaodalid, Paris, Tokyo, Perth, Melbourne and Sydney as well as releases in Australia the US, UK and has been translated into Spanish and Japanese and his work has been aired on SBS, PBS, Time Warner in the USA, ZDF in Germany, and Channel Four in Great Britain.
My Father Belonged to the FBI but I was a Soviet SPY, THE KITCHEN NYC USA 1984 Humanities award, also staged with Araluen ARTS CENTRE Alice Springs, (Pine Gap) 1986 ART Matters award for ‘push it’ NYC USA 1991 Lukes Party (co-producer/co-director with Roz Sultan, 1991) a 16 min film about the stolen generation which won the Irwin Rado Award for Best Australian Short Film Melbourne International Film Festival.
Jury award Cinema du Reel Paris, The San Francisco Film Festival, Golden Gate Jury Award for Short Fiction, The Frames short fiction “Innovation” Award, Adelaide and is currently included in the Australian Centre for Moving Image's Screen Lounge in Federation Square Melbourne. As exec producer art Official, 1998 National award winner of info/doco series for Community TV in Australia with students from ECU WA.
He was awarded the Australia Council fellowship in 1996 and the West Australian Arts Fellowship in 1999 and a PICA award for Sight Unseen in 2007 Artspace book fair Sydney sept 15 exploding utopia published by bookmachine and awarded studio resident prize 2016 to layout ‘I Was Framed’.
His production company Third Degree Burns Unit recent video/performance works in Western Australia include Autogeddon - The Ride for Artrage 1999, White Cells for The Perth International Fringe Festival 2000, Tunnelvision for Artrage 2000 and THIS IS I.T.? a CTV, Access 31 and Perth Fringe Festival co- production 2001. These productions combined elements of theme parks, theatre, film and television to attack aspects of transport, prisons, surveillance and community TV. Executive Producer awarded the ‘infotainment’ award’ by the community broadcasting association of Australia His television credits include producer/director for The Operators, a 13 part interactive sitcom for cable TV through Time /Warner in New York, producer/director for Playboy TV enterprises in New York, in 1999 and This is I.T. a live interactive show for the fringe of the Festival of Perth 2001.
He has also produced, directed, shot, edited or production managed a number of Music Videos in New York for Australian bands such as Crowded House, Midnight Oil, and Nick Cave. He also wrote, produced and directed 50 music videos for Japanese video juke box and karaoke company DiechiKoto He has taught film, art and interactive broadcast television in Perth, Western Australia at Edith Cowan University and Curtin University and is completing a PhD in Future Filmic discourses, Surveillance and Interactivity at Murdoch University where he has taught documentary and film production.
In Australia his work has centred on the Aboriginal history of the York area where he lived for many years near a Ballardong sacred site for men’s business with the support from local Aboriginal elders and resulted in a couple of shows in Sydney at Damien Minton Gallery and WA at the WA collective. The site was annexed as a granite quarry in the 1950s.
The consequent work ‘Property Is Theft’, was a series of screen based works looking at a number of court cases involving Aboriginal defendants over the last 175 years since white occupation. The first work is a multi/screen hybrid work titled ‘Sight Unseen’ supported by a PICA development grant. GALLERY In Australia his recent work has centred on the Aboriginal history of the York area where he lived for many years In 2006 in collaboration with the York Theatre group he presented the first stage of ‘Sight Unseen’ for the York 175 years since white settlement celebrations. The work is a multi/screen hybrid work titled ‘Sight Unseen’ supported by a PICA development grant and the York council. , was a series of screen based works looking at a number of court cases involving Aboriginal defendants over the last 175 years since white occupation.
In June 2007 he had a retrospective at Uplands gallery in Melbourne that consisted of an installation of 300 A3 documents and photos and screenings of 10 films and videos. The retrospective show plus a series of prints and recreations were shown at Urban Dingo as part of Fotofreo in April 2008.
His work ‘Roadkill’ was shown in the 2009 'Sculpture by the Sea' show in Cottesloe and Bondi.
In 2010 he participated in 'Mildura Palimpsest' and showed 'Against the Grain A Survey' of his work and performances at the Australian Experimental Art Foundation in October 2010 at the Tin Sheds Gallery, Sydney University. This show toured regional galleries in West Australia through 2013-15 with Art on the Move.
In 2013 he showed at Laure Genilard Gallery, and ‘The Big Deal’ London, the New Museum, ‘the real estate show’ ABC No Rio in New York in 2014. Sight Unseen’ a multi/screen hybrid work York 2006, Survey shows titled Against the Grain Uplands gallery Melbourne, 2007, Urban Dingo Fremantle 2008, AEAF gallery Adelaide 2010, Tin Sheds Gallery Sydney 2012, The Cannery Gallery, Esperance, Geraldton Art Gallery, and Mandurah Art Centre 2013-16.
His work has been exhibited in numerous major shows and art institutions, worldwide, including The Beaubourg Paris, ICA London, ICA Boston, MOMA New York, The Hirschorn Museum Washington, the Baltimore Museum, The National Gallery of Victoria, Art Gallery of NSW and South Australia, The National Gallery of Australia, the Sydney Biennale and numerous regional galleries in Australia.
He is represented in public and private collections internationally. Including significant collections with Dr Donald Brook, Michael Hobbs, Kathryn Trees, Louise St John Kennedy, Robert and Sue Burns and Flinders University.
His work is archived in the Art Galley of NSW, Sydney, Australia Screen and Sound, Canberra and Franklin Furnace, New York. He currently exhibits with Damien Minton Gallery in Sydney and WA Art Collective Gallery in West Australia.
SOLO SHOWS Property Is Theft’ Damien Minton Gallery. Sydney 2013Mandurah AC AOTM 2013, Esperance ‘cannery’ AOTM 2014, Perth City Council, Trans Art Red June 2015, Taipei TV May 2015, Geraldton Art Gallery AOTM June 2015, PUBLICATIONS books Not Ceasing to Loiter 1975 Flinders University Exploding sand dune postcard friends.
1975 Flinders University A Pedestrian Series of Postcards, Burns press, Printed Matter 1977 NYC A Package Deal, 1974 with Dave Morrissey Nigel Roberts White elephant red herring 1979 with Viv Binns, Ian Milliss 6 Exploding Utopia, B1975 Book Machine, Artspace, Printed Matter MINEFIELD Art and Australia[ ed; Edward colless I WAS FRAMED unpublished tim burns Murdoch U Artspace Sydney Chapters in books ART and TECHNOLOGY in Australia till 1975 MIT Stephen Jones PARRALEL REALITIES The development of performance art in Australia Neil Howe Famous exhibitions Joanna Mendelson RECENT GROUP SHOWS Sculpture by the Sea 2009, 2013, 2015,16, 17, 18 19, 2021 Sculpture by the sea Bondi 2009 Yellow Vest FreoAC 2009, Octopus 13 Gertrude Contemporary 2013 curated glen barkley MCA Exploding Utopia Laure Genillard gallery London 2013,[curated Rozamin keshvani] Big Deal London Frieze 2013 COLAB New Museum NYC 2013, Albany painting prize 2014, Bankwest sculpture prize 2014, Madurah Art Centre SPAM 2015, Sculpture@bathers Beach 2015, 2017, 2019 Artist Village gallery Taipei, DIAtribe_interacTiV 2015, Melbourne Film Makers Coop ACMI [AtG] April 2015 Colab show Printed Matter NYC 16 Colab real estate show ABC NO RIO NYC 20
1. McGillik, P. (1969), Tim Burns Exhibition, The Critic,Volume10. #1. Reproduced in Snell, T.(1991), Cinderella On The Beach, University of Western Australia Press.
2. Burns, T. (xxxx), Zen and The Art Of Whatever, Robert Juniper Retrospective Catalogue, AGWA. pp86-91.
3. Mendelssohn, J. (1990), The Yellow House, Art and Australia,
4. No Auther, (1972), Smoke Bomb at Cenotaph, Daily Mirror, Sydney Tuesday April 25th; Photo, Warrik Lawson; Front Page.
5. Brook, D., (1972), Art Technology and Society, in King (ed Human Consequences of Technological Change publisher.
6. Ewington, J. (1973), The Jo Benomo Story - A Show of Strength, Art and Australia, January.
7. Danko, A. (1973), Performance; Mildura Triennial.
8. Robertson, T. (xxxx),Community Arts a History, Art Networks Magazine, pp79-80.
9. Gleeson. J. (1973), An Exhibition With a Difference; Sun, Sydney, Australia, pp72-73.
10. No Auther, (1973), Whistle and Clap, Catalogue, Toorak Gallery, Melbourne, Australia, April.
11. No Auther, (1973), The Sculpture and The Bomb, Herald, Melbourne, Australia April 10.
12. xxxxxxxxxx
13. Gilchrist, M.(1973), Art Basks Uneasily in Mildura’s Sunshine, The National Times, April 16-21. p4.
14. Young, E. (xxxx), No Praise too much for Mildura show, Adelaide Advertiser Adelaide, Australia
15. Borlase, N.(1973), Landscape into Sculpture, The Bullitin; May 26.
16. No Auther (1973), The Sculpture and the Bomb, Sunraysia Daily, Mildura, Australia.
17. Brook, D.(1973), Power of the Traditional Fool, The Nation Review, place , May 11.
18. Tilley, G. (1973), Tim’s Hopes Exploded. They Denounced his Artistic Minefield, April.
19. McCullough, T. (2013), Living Dangerously in The Seventies, Museums Australia Magazine, November, p18-19.
20. Beesley, M. (1973), Row over Nude Art; Police Move in When Picture Comes to Life. Newspaper? October. 21. No Auther (xxxxx), More Shows of Lively Art, The West Australian, Perth, Australia, Monday. p1.
22. Beaumont, J. (1973 ), Emotions, For The Sake of Art Will You Drop ‘Em, October. Sydney, Australia. 23. Adams, B., (1973), Beyond The Sand Bags, The Sunday Telegraph, October. 24. Johnson, M. (1973 ), Gallery’s Culture Shock, The Digger, November 10, . 25. Unknown, (1973), Naked Man in Galley Siezed, October. 26. Sheridan, N. (xxxxx), Low scandolo Tim Burns, Data Arte 19, p80. 27. Daniel, T. (2004), Museum Pieces; 3D TV, 1973, Art and Australia, vol41, no.4, pp 550-551. 28. Adams, B. (1974), Recent Australian Art, Art and Australia, Sydney, Jan March, Volume 2 #3 p236. 29. O’Brien, R. (1974), A Television Blast for the Sake of Art; The West Australian, Perth, Australia. 30. Sheridan, N. On Reflection; Not Waiting, Publication Unknown. 1/4/74. Hellen Vivian, Ewing Gallery Book, 2007? 31. North, I. (xxxx), Retrospection, Introspection and Speculation, Art Network Magazine pp79-80. 32. Allan, R. – Tennis with Jack at Warrens; Chapter 4 Post object Postcard. pp33-42. 33. Brook, D. (1975), The Tim Burns Humanities Work, Diary, Donald Brook Archives, Flinders University 3p 17th March-16th July. 34. Pangallo, F. (1975),– Artist Tim’s Next Show in Court!; Melbourne Saturday, July 35. Bland, J. (1975), Defendant Burns At Stake, Time Out Magazine, Adelaide, December. 36. Sheridan, N. (xxxx), On Reflection p41. 37. Burns, T. (1978), A Pedestrian Series of Postcards; Burns Family Press, New York City. 38. Unknown, (1976) Colum9, Sunraysia Daily, Mildura, June. 39. Unknown (1976), Card Mystery is Unfolding, Sunraysia Daily, June 20. 40. Bildstien, C. (1976), Tims Message The Burning Question Now, Sunraysia Daily, Mildura, Australia. 41. Unknown – Candidates Have Their Say. Sunraysia Daily Mildura. Thursday August 26, 1976. 42. Unknown (1976), Colum9; Only A Rumor. Sunraysia Daily Mildura. Volume 56#269, Friday August 27. 43. Unknown – Lights To Operate. Sunraysia Daily, Mildura. 1976. 44. David Brunton – In Black and White. Melbourne Herald, 6/9/1976. 45. Burns, T. (1976 ), What About Cross Walks In Mildura, Watters Gallery Sydney Ed20. Tuesday 8th June. New York City. 46. Burns, T. (1977 ), A Pedestrian Series of Post Cards, American Institute of Graphic Arts Book Award. . 47. Short, S. (1977), Living it up in New York City; The National Times, November 21-26, P52. 48. Burns, T. (1977), Why Cars Carnage? Tim Burns at The Furnace, Franklin Furnace Catalogue, November 9-19. 49. Smith, L. (XXX)Robert Cooney, Tim Burns – Carnage! , X Magazine, New York City p15. 50. Hoberman, J. (1978),Why Cars Carnage; Review at Artists Space. The Village Voice. April 30. 51. Cornwell, R. (1978), Artists pace Presents Artists Films.; Artists pace, New York City March 17-18. 52. Scarlett, K. (1980), Australian Sculptors, Thomas Nelson. 52. Cantrill, C. (1978), Night Shift, New York. Cantrills Film Notes. 1978 winter issue. 53. Unknown (1978), Crusade Against Cars. The Courier Ballerat. Tuesday July 25th, p11. 54. Unknown(1978), Anti Car Crusade. Sunraysia Daily, Mildura, Victoria. 25th July. 271 55. Shabs, A. (XXXX), Drive to Extinction. Melbourne Jewish Publication. 56. Smith, G. (1978), Denting The Metal Monolith, The Tribune. Australian Communist Weekly, Oct 11. 57. Stewart Green – Carnage. The National Review. 58. Dentin, P. 1978), Night Shift, Three Films By Tim Burns; Film News, October. 59. Cantrill, C. & Cantrill, A. (1978), Tim Burns Interview, Cantrills Film Notes, Melbourne pp50-61. 60. Cantrill, C. & Cantrill, A. (1978), Night Shift. Cantrills Film Notes. Melbourne September, pp62-70. 61. Unknown(1979), Against The Brain-And Other, Artlook Magazine, November, P10. 62. Unknown, (1978), Revolutionary Venture into Studio Theatre, Publication The Loft, Melbourne Newspaper Article. 63. Landry, L. (1978), No It Wasn’t Possums, Melbourne Publication ?. 64. Murphy, B. 1979-1980 Alternative Space; Alternative Spaces Part 2. Art Network Magazine. . 65. Coleen Fitzgibbon – A Letter To Betsy Sussler. 2p, October 3 1978. New York City. 66. Tim Burns – Against The Grain Sydney Biennale, 1979. Art Gallery NW. 67. Maggie Gilchrist – Vision in Disbelief. Art Network Magazine 1979. 68. Editors Binns, Burn, Burns, Millis – Sydney Biennale, White Elephant or Red Herring, Art Network ,1979. 69. Robert Smith, Edited by Kay Keavney – Art Uprising in The West The National Times, July 27 August 2, 1980. 70. Lindzee Smith – Letters To Tim Burns. New York, 27th August 1979 & February 27th 1979. 71. South Australian Media Resource Centre June Newsletter – Against The Grain. June1980. 72. Tim Burns – Against The Grain (Poster) PIFT Cinema. October 15th 1980. 73. Meaghan Morris – Ray Has Just Set off A Smoke Bomb Sydney Morning Herald. Saturday Jan 17 1981. 74. John Hinde – Review; Against The Grain This Week In Film Radio 2FC, Sydney 19th January 1981. 75. Unknown – Exercise In Paranoia. The Sun, Thurs Feb 19th 1981. P4 76. Unknown – Terror in The Underground. Melbourne Herald, 19th Feb 1981. 77. John Lapsley – A Film Maker Goes Against The Grain. Sydney. 78. Stephanie Bunbury – Against The Grain. Lots Wife, Latrobe University, Melbourne. 79. Steve Dans – Against The Grain. Pelican, University of West Australia. 80. Unknown – Against The Grain Review. Cinema Papers, March-April 1981. P34. 81. Charles Merewether – Transgression and the “Mediation” of Violence. Film News January 1981. Pp5-6. 82. Arthur and Corrine Cantrills – Against The Grain; Interview. Cantrills Film Notes 33/34, Melbourne. Pp62-71. 83. Noel Purdon – Tim Burns. Cinema Papers August/ September. #28 MELBOURNE. Pp266- 269 plus p300. 84. A.J. Ames – Amiable Chatter. Art Look, August 1980. p11-12. 85. Eric … -Words In Visions; Tim Burns. Art Quarterly Oz. Art Omnibus, spring 1980. Adelaide. 86. Jennifer Phipps – Against The Grain. Flash Art Australia. 87. John Hughes – Against The Grain. Just Another Film Society, Melbourne. 88. Unknown – Against the Grain. The Liberator (Perth Prout Weekly) July 19th 1980. 89. Regina Cornwell – Film Works ’81. The Kitchen. May 21-23 1981. 90. Jackie Raynal – Radical Images: World Politics In The Seventies. The James Agee Room. 91. J Hoberman – Who Was That Masked Person?; Film at The Kitchen. The Village Voice. May 20-26 1981. P48. 92. J. Hoberman – The Battle of Bleeker Street: Radical Images. Voice Feb 11-17, 1981. 93. Unknown - Against The Grain Review. Alphaville. 24th Dec 1982. 94. Unknown – Against The Grain Review. Cinema Canada. Dec 81-Jan 82. 95. Franco Nuovo – Against The Grain: reflexion sur la violence. Le Journal de Montréal. P67. Jeudi 29th October 1981. 96. Unknown – Against The Grain: Berlin Film Festival. Berlin film Festival Catalogue. 1981. 97. Lindzee Smith, Tim Burns and Jim Jarmusch – Men looking at Other Men. 2p. 98. Renee Shafransky – Narrative Film Makes a Comeback. Film Works ’81. 99. Lee Flemming – Winter 1983 at the Hirshhorn. Hirshhorn Museum. Washington. Review. April/May 1983. 100. Kathleen Hulser – Film Charas Brings Cinema To Loueasisder. The Villager, September 9 1982. Pp11-12. 101. Prue Medlin – Maximum Penalty 3 Three Years Jail. Documentary Art Project, South Australian School of Art. 1980. 102. Renee Shafransky – Super 8 Filmmakers Declare a State of Emergency. The Villager, June 17, 1981. 103. Amy Taubin – Art in Four Weeks For Just $75. Soho News. New York City, June 24th, 198 104. Tim Burns – Early Mudd. Permanent Wave Production. May 20 1981. 105. Bethany Haye – Mens Work: NightShift, New York. East Village Eye, Oct 1982. 106. Bethany Haye – Ruffian on the Stair, Laight Again. East Village Eye, 21st Feb 1983. 107. Tim Burns – Alphabet City (Film Script) 1982. 108. Burns, T. & Smith, L. (1983) Projections Three: The Super 8 Phenomenon. Australian Film Institute. 27th May. 109. Amy McMahon- The Local Stigmatic (poster). Night Shift. July 6th 1982. 110. Don Shewey – Idol Chatter. The Village Voice. July 6th, 1982. 111. Renfreu Neff – The Local Stigmatic. The New York Native. July 1982. 112. Bethany Haye – The Local Stigmatic. The East Village Eye. July 1982. 113. Tim Burns – True, The Berry Picker, What is it Zach? Night Shift, New York. Nov 19, 1982. 114. Jim O’Quinn – No Manners. New York Native, Jan 3-16 1983
115. Phillip Frazer, Tim Burns, Jay Johnston – Did the CIA Overthrow The Australian Government Communication Instillation: Prelim for The Gap Between. The Clocktower Gallery. Produced by Pandora and Night Shift Burns. Curated by ? 1983. 116. Lucy R. Lippard – Too Close To Home. Village Voice, June 14 1983. Pp94-95. 117. Clive Jones – Tim Burns. Film and Television Institute News Letter. Sep 1983. Interview Transcript and photos by Robyn Brien. 118. Sally Banes – Under Cover and Covering Up: My Father Belonged to The FBI But I was a Soviet Spy. Under The Performance Banner of The Village Voice. March 6, 1984. 119. Allan, R. (1989), Tennis With Jack at Warrens. Chapter 17. Rotten to The Core in The Big Apple. Allen and Unwin pp177-182. 120. Ross Irby – Surprise, Surprise? No, Not Really! Alice Springs Advocate. August 1985. 121. Tim Burns – Third Degree Burns On Critic. Alice Springs Advocate (Letter). 6/9/1985. 122. A.T. McHarg – Bruised Burns. ( letter)The Alice Springs Advocate. 13th Sept 1985. 123. Jenny Brands– Terrorism On The Home Front. The Alice Springs Advocate. August 1985. 124. Unknown – Visions Of Independence. The Australian Film Institute, National Film Event. 1985. 125. Unknown – Against The Grain. Pia Festival Tokyo, 1985. 126. Jenny Brands – CIA Secrets in Focus at Araluen. The Alice Springs Advocate. Oct 1985. 127. Jenny Brands – I Spy – But Why? The Alice Springs Advocate. Oct 1985. 128. Jenny Brands - An About Face At The Space Base? The Alice Springs Advocate. October 17, 1985. 129. Tim Burns – The Double Cross. Night Shift Melbourne Poster. Fri Oct 31, 1986. 130. Unknown – Voice of Veteran US Writer James Purdy. Centre Stage Australia. Sep 1986. (La Mama). 131. Tim Burns – Pulling The Pin At The Double Cross. Night Shift Melbourne Poster.Nov 20th 1986.. 132. Steven Jones – Video Logic. Monash University Art Galley P94&P96. 133. Tim Burns – The China syndrome. Café Bustelo. Oct 22nd, 1987. 134. Tim Burns – What is it Zach. Night Shift Poster. Photo By Michael Snelling.. 135. Maria Farmer – Spoleto Fringe Film and Video Festival. Open Channel. Setp 26th 1986.Tim Burns 16mm Workshop 136. The Irwin Rado Award 1991 Luke’s Party. 40th Melbourne International Film Festival, Media Release (Best Australian Short Film. 24th June. 137. Mark Naglazas – Burns Back to Brush Against Grain Again. The West Australian. Friday Feb 9, 1996. Arts p4. 138. David Bromfield – A Revival For The Outback. The West Australian Feb 1996. 139. Ron Banks – Autogeddon Nigh. The West Australian Newspaper. Arts Today 1998. 140. Carolyn Cordi – Filmmaker Tim Burns is First Artist in Residence. Margaret River Newspaper. 1999 141. Carolyn Cordi – Artist Leaves Grim Reminder. Margaret River Newspaper 1999. 142. Tim Burns – Roo Artist Says Thanks.( letter) Margaret River Newspaper. 1999. 143. Ron Banks – Autophobia: Super Charged Satire. The West Australian Arts Oct 1999. 144. Unknown – The Blank Generation and Beyond. The Pioneer Theatre and Two Boots Feb 17th 2000. 145. Mel Cantwell – White Cells. 3rd Degree Burns Unit with Perth International Film Festival. Poster. Feb 2000 146. David Bromfield – Arts: Big Weekend. West Australian Newspaper. Feb 26th 2000. P6 147. Robert Cook – Taste of Guilt. The West Australian: Today. Feb 9th 2000. P13 148. Sophie Meissner – White Cells Close Quarters. Xpress Magazine. Feb 2000. 149. Ron Banks – Light At The End Of Tunnel. The West Australian: Today. October 10th 2000. P9 150. David Bromfield – …And Images In The Air. The West Australian: Big Weekend. Oct 21st 2000.p6. 151. Reg Whittacker – This is I.T. Live. 3rd Degree Burns Unit, CTV, FTI, Access 31, Echo Systems and Perth International Festival Jan26th – Feb 26th 2001. 152. Tim Burns – The Works. Post Industrial Studio Space of Fremantle. 1st June, 2000. 153. Unknown – Resistance: A Screen History of Austraian Counter Culture Movements. Australian Centre For The Moving Image (Against The Grain Cinema program) 29th Jan 2004. 154. Zanny Begg. Banned! National Association For the Visual Arts (Nava Quarterly.) Dec 2005. P6 Ric Spencer – Conflux: Powerful Images of The 60s. The West Australian Weekend Extra June 24th 2004. 155. Ric Spencer – Visual Arts: Images to Make The Viewer Think. The West Australian, Fri April 25th 2008. 156. Richard Murphett – Email to Tim Burns RE: Uplands Retrospective. June 2007. 157. Andre Lipscombe– Pedestrian Series of Postcards. City of Fremantle Art Collection. Sept. 26, 2009. P10 158. Kate Vickers - Yellow Vest Fever: digging and dealing. Art Monthly Australia. September 2009. #223. P30. 159. Unknown -– Culture Shock. Mosmon Cottesloe Post. March 7 2009. Front Page and p82. 160. Neil Prior (Editor) – Chainsaw Massacre in York. Inside Cover, The West Australian. Tuesday March 3rd 2009. 161. Neil Prior (Editor) – York’s Ficus Fight Turns Feral Inside Cover, The West Australian. Tuesday March 10th 2009. P2. 162. Tiffany Fox – Ficus Fracas Topples Town Tree. Inside Cover, The West Austraian. Tuesday March 31st 2009. P2. 163. Steven Bevis – On Festival Odyssey: Dawn Event a Magical Start and Welcome. The West Australian. 2012 Perth Festival. 164. Dominic de Clario – (Two) give Time To Time, Mildura Site. AEAF. Mildura Palimpsest. 17th SEP 2010. 165. Glenn Barkley – Avoiding Myth and Message: Australian artists and the Literary World. Ask me anything about John Forbs. 2009. 166. Edited by John ? – A Partial View: Extra Fancy. The University of West Australia Art Collection (Catalog) 2007? 167. Steven Jones – Synthetics: Aspects of Art and Technology in Australia 156-1975. Published by Leonardo book series MIT Book Press. 2011. 395pp. chapter 7. 273 168. Erica Secombe – A Review of. Synthetics: Aspects of art and Technology in Australia 156-1975. Published by Art Monthly March 2012. P246-p247. 169. Laetitia Wilson – Wry Celebration of Car Culture. The West Australian, Visual Arts. Date?. 170. Jill Bennett – The Cars That Ate Perth. Spectrum Project Space, Edith Cowan University. Curated by Erin Cotes.. 10th May2013. 171. Ric Spencer _ Anarchy Rock and Ink: Black Cat and Beyond, Diatribe of the Squeegee. New York City Political Street Posters 1978-2004. Fremantle Arts Centre Catalog. July 27th 2013. 172. Edited by Steven Bevis - Rock in The ….?. The West Australian Arts. Sep 2013. 173. Richard Murphet - Obituary Lindzee Smith. Real Time 78, April-May 2007. P35. 174. Tony Reck – Tribute to an Outlaw. Real Time. July 2008. 175. Tony Reck – Nightshift: Dangerous Work. Real Time. July 2008. 176. Tim Burns – On This Day Alone. Catalog Curated by Glenn Barkley. Octopus13. Published by Gertrude Contemporary. July 27th 2013. P.. &p32. 4p. 177. Tim Burns – Hindering in A Police State. Bunbury Biennale 2013. 178. PC Barnes and PC Rigby – Move on Order. Hindering a Police Officer. Bunbury Police. 18/05/2008. 12:30am. 179. Joan Johnson – Dear Sir. Witness Statement. May 2008. 180. Huw Hallum - Exploding The Archive. AEAF Catalog. Edited by Teri Hoskin. AEAF Against The Grain A Survey. Oct 2010. 22p Catalogue. 181. Josephine Wilson – Unlinear Life and Art. 182 Julian Goddard – Burning at Both Ends. 183. Teri Hoskin – Smoke and Mirrors. 184. Cassie French – Against The Grain, Tim Burns Survey, The Tin Sheds. Art Month. Sydney, March 2012.